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dale at my fingertips, it is therefore a real pleasure to paint
directly from llife. I also find it tremendously exciting:
I can see the changing colours and shapes first hand; the weather
has a direct impact on my work as the time taken to complete my painting is directly influenced by the wind, rain or sun. Working outside adds the element of surprise - I'm not totally in control -
but I do hope to capture some of the exhileration and freedom
that I feel when I am painting, surrounded by the sites and sounds
of the quiet things, the open spaces that are as essential to me as the air that I breathe.
When you look at my paintings I hope you see something beautiful and distinctive; a memory, a feeling or a desire to see for yourself.
that I feel when I am painting, surrounded by the sites and sounds
of the quiet things, the open spaces that are as essential to me as the air that I breathe.
When you look at my paintings I hope you see something beautiful and distinctive; a memory, a feeling or a desire to see for yourself.
Howardian Hills
The Moors and the Dales
Portraits and Nudes
Seascapes
Still Life and Flowers
York and Architectural
Designed and built by
Vinegrad Design Consultants
Vinegrad Design Consultants